In the last few weeks, I have been shooting film again (hence the lack of daily posts). I have been really enjoying it, the experience is lovely – you just take the shot and move on, forget about it. I would like to process the films myself. I have all the kit to do it myself, but I don’t the
inclination time. So, I will rely on my local photography centre.
So, in the spirit of things, I am going to spend the next month just using one camera (Leica M7), one lens (35mm) and one film type (Cinestill 800T rated at ISO 500).
What I will do is shoot it, bag it up and wait until the end of the month to get it processed in one hit. I’ll post up anything decent!
Most of my photography is done using a 50mm lens in Salisbury. So, to make it more of a challenge, I am just going to shoot with a wide-angle 35mm. It is not a length that I use much, so that’ll be interesting for me.
Finally, my usual style is reasonably (I hope!) well composed, clean and simple images. For the next month, I am going to get messier and try out a different tack. I’m going to try and be more Jun Abe rather than Bresson. We’ll see how that goes, it’s going to be painful for me. However, it’s a good thing to get out of your comfort zone. Don’t expect any Alex Webb quality shots, I’m not that good at complexity in imagery!
Changing your sensor
Recently, I have been shooting a lot of digital and it has been fun. I do like the ‘clean’ look of a monochrome digital image. I have been slimming my photography kit down, getting rid of cameras that I don’t use often enough to justify keeping them. I don’t like the idea of having cameras sitting in a box collecting dust. If I am not using them, then hopefully someone else will. The only exception to this is my large format. I don’t use it enough, but this a camera for life for me.
I had been thinking about a digital rangefinder, as I like this style of shooting. I had one before (a Leica M9-P), but I sold it after a year. It would get noisy very quickly as you moved off the base ISO. Mainly though, I just didn’t like the feel of it. I didn’t really care about the crappy LCD screen on the back, but it just didn’t feel as solid or tough as the film cameras. Also, even though relative to other manufacturers’ Leica’s hold their value, they still suffer massively from digital rot. Any digital bought now is just a door-stop in waiting. My 1958 Leica M3 (out on loan to a friend) is still going strong.
The other thing that I have ‘realised’ more recently with film, is that if you want to change the ‘sensor’ you just load a different type of film. Hence, this new project. Whilst the film market has shrunk since I first started photography when I was a teenager, there are still a lot of films about (and slowly increasing again with the recent release of Bellamy Hunt’s Japan Camera Hunter film (Street pan JCH400), Film Ferrania’s P30 monochrome cinema still film, Cinestill medium format, and the upcoming re-release of Kodak Ektachrome (like others, I hope for the return of Kodachrome (unlikely, I know)).
There are some pretty interesting films out there like Rollei Redbird, Adox Colour Implosion, Infrared, bulk cinema films, as well as as a whole bunch of more common films that I have not tied (e.g. Kodak Ektar (on order)). So, I figured I might as well expand my photographic horizons and give them a go!
Leica MP, 50mm Summicron, Kodak Portra