In March my project for the month was shooting the colour red, using Kodak Ektar film. I have put together a short eBook of the project. There is no overarching narrative, beyond the use of the colour red in each image. However, most of the shots in the eBook were taken near to Bournemouth. There were a large number of other shots that did not make the final edit, not because I didn’t like the images (some I really liked), but because I felt they did not fit together naturally enough for me.
However, here are some of the images that did not make the final book. Check out the eBook for those that did.
My little boy is also getting in on the red project!
Recently, I have been getting into these more vernacular sort of shots. Normally, I like to see people in them (other shots on the negative of this scene did have people in it).
Today, I would say, has been the nicest weather of the year. Spring well and truly feels that it is on its way. I really like spring, it’s my favourite time of the year. You can enjoy spring knowing that the summer (what we have of it in Britain!) is still ahead of you.
At the moment, I constantly have two cameras on me. A Leica MP rangefinder and a Nikon F3 SLR. The F3 is for the red project and the MP is for general shooting of things that do not fit with the red project. My aim was to have 36 negatives on a roll with red in them. However, I have enjoyed using the Nikon so much that it’s become my main camera at the moment and the MP has been relegated to back up camera. Just goes to show that the most expensive camera doesn’t always win out.
So, I have ended up with Ektar 100 in the F3 (yet another 5 rolls on the way… that’s 15 bought this month, so far) and Portra 400 in the MP. Seems like a fair compromise to me, one for the good light and one for the lower light! I can just about get away with 400ISO at night, but’s it’s a push. I know, digital is easier…
What I have noticed about Ektar is that when the sun is out it produces pastel like colours and produces a look that is not dissimilar tonally to medium format. However, when the sun goes in and the light becomes darker the colours really seem to become saturated. I haven’t seen a film change so much in character in different weather conditions. However, I really like the effects. Of course in Britain, a lot of shots are going to be very saturated!
Last month, my project was to shoot with Cinestill film. The results were OK, nothing to really write home about. I shot three rolls of film in the end. Two have been scanned, but I still need to finish the third.
This month, I have been shooting with a Nikon F3, a 50mm 1.4 lens and Kodak Ektar. To add a bit of structure, I am giving myself a brief for each month. This month, as I am using colour film, I am focusing on the colour red. I have been very productive so far this month, and had to order more film as I shot through 5 rolls of Ektar in about two weeks. Mind you, it has been a very busy few weeks generally!
Two things I can say is that (1) Kodak Ektar is a great film, the colours are amazing. It’s certainly a film that I intend to keep using on a very regular basis; (2) the Nikon F3 is a lovely camera. I can see why they made them for over 20 years. It was a camera that I always wanted since being a teenager, so it’s nice to finally get my hands on one and shoot with it. The 50mm Nikon AI lens is not a sharp as a 50mm Leica Summilux. But that’s to be expected. However, it does have a lot of character. I really like the look it gives when shot wide open. The bokeh is very nice.
I am intending to publish the work as an e-book at the end of the month. Unlike last month, when I waited until the end, I am processing and scanning as I go along. So, hopefully, something tangible will emerge quicker. However, time for scanning has cut down on time for blogging!
Red chairs, Bournemouth